I first held a pencil when I was around three years old. Since then, art has been a quiet home for me. A place where I could be myself, and give shape to things I couldn't always put into words.
The path here wasn't a straight one. There were years of learning, charcoal-stained hands, abandoned sketches, and long stretches when everyday life left little room to create. But I always found my way back. I missed the simple joy of making something with my hands, and recognising a little of myself in it.
Today, I carry that feeling into tattooing, alongside my love of medieval imagery, dark fantasy, and old engravings. It means a great deal to create something that becomes part of someone else's story.
The Inkeeper grew slowly, through patience, doubt, and a dream I kept close. It holds a little of every version of me that helped bring it to life. My hope is that, when you step inside, you feel some of the warmth and belonging that art has always given me.
- Tattooing since
- 2022
- Trained
- Self-taught
- Works in
- Custom pieces only
- Speaks
- Greek and English
Her style
Her work borrows from illuminated manuscripts and medieval heraldry, with echoes of Lovecraft's cosmic horror and the haunting worlds of the soulsborne cosmos. Fine linework, bold black fills, decorative borders and lettering bring together ancient legends, strange creatures, and the quiet beauty of forgotten worlds.
She designs each piece around the part of the body it will sit on, so a dragon wraps a forearm and a crest sits square on a chest. Small rune bands and large back pieces get the same care.
- Dragons and wyverns
- Knights and armour
- Runes and lettering
- Heraldry and crests
- Eldritch beings and cosmic horror
- Soulsborne characters and lore